There are some more interesting features in this section, however:
Got a feelin' goin' for each other, yeahI could never leave her for another girlAlways miles away, we're in another worldAnd I love her, yes, I love her
In the same way that the narrator doesn't need or want "another girl," the word "girl" here isn't really necessary. "Another" rhymes with "other" from the previous line, so there's a poetic completion, and no sense would be lost if this line were simply "I could never leave her for another." The Mellotron brass part literally underscores how that "girl" is out of place here. Until that point, it plays on the downbeats, but coinciding with "girl," it switches and plays on the upbeat.
The same feature is also present in the next line: "Always miles away, we're in another world." Here, the Mellotron brass part switches to the upbeat on the word "world," and that change in the rhythm illustrates the "otherness."